The Import Serial Number / Country of Origin FAQ. Not having much luck verifying this Jackson Guitar, has serial number 9850661 Been told it is a Japan DK2 any. Get the guaranteed low price on the Jackson JS32 Randy Rhoads and more Jackson JS Series Guitars at. I have a Jackson electric guitar with a mystery serial #. The number has 8 digits and it is NOT a 'Professional' model. Here is its serial number.

1. Jackson Serial Number Lookup Cwj1533147
2. Jackson Serial Numbers Nhj
3. Jackson Serial Number Dating
4. Jackson Serial Number 97

The Serial Number Charts Refer to USA-made
Jackson & Charvel instruments only.

N The Import Serial Number / Country of Origin FAQ. Not having much luck verifying this Jackson Guitar, has serial number 9850661 Been told it is a Japan DK2 any.

Looking up serial numbers has been the source of my frustration, as all of them suggest they have 6 or 7 digit serial numbers. The Jackson website itself was no help, and the only number I can find on it whatsoever is on the back of the head. The serial number ends in 11 so maybe that is the year of manufacture and the model is considered a 2012. If in fact 2012 is the first model year released. Thanks to anyone for the help. Jackson serial numbers do not use 0’s as “blanks” – if there’s a 0, it’s part of the number. Import neckthrough models are serialized in the following manner: Jnnnnnn; The letter “J” followed by 6 numbers, with the first number indicating the year of manufacture. A Jackson guitar is dated by cross-referencing the serial number with the product dating reference chart. The serial number is generally found on the neck plate on bolt-on neck models and on the fingerboard of the last fret on neck-through-body model guitars, and the manufacturing product date and manufacturer location are based upon the serial number.

The below information was taken directly from Jackson Guitars website.

On Neck-Thru Body Models: The serial number is stamped into the fingerboard at the last fret.

On Bolt-On Neck Models: The serial number is stamped into the neck plate.

Models that are sold outside of the continental United States cannot be tracked using this serial number inquiry system. These models are shipped directly from the manufacturing plant to the distributor in your country and are not tracked here in the United States at Charvel. The history of these instruments are not known to Jackson since the were not shipped thru their facility and therefore cannot be tracked by Jackson's service staff in the United States. Please contact your country's distributor for more information regarding these instruments.

>><< Newsflash >><<

For All You Charvel San Dimas Lovers!

Manyof the San Dimas Guitars I have seen are fraudulent. I mean how easy it it to make a copy of a Fender copy? Oh you checked yours out with Jackson, so you are confident that yours is real. I've got sad news for you. The principal forger of the San Dimas guitars who shall remain un-named, If I say his name, he will sue me, because it is hard to prove.

Here's the sad news. This SOB, who pretends to be mister know it all on Jackson/Charvel is actually acquiring original Charvel guitars. When he is 100% satisfied that they are original & real he will make a number of exact copies of it. In this way when you call Jackson to check out the guitar you will find that all the colors and numbers match. Theoretically you could buy a perfect copy right down to the serial # and color. buyer beware. I have purposely stayed away from the old San Dimas Charvel guitars because I knew that someday this would come out and every one of them will come under suspicion.

There is only one way to get a real one and be 100% sure. If you find an old Charvel at a Tag Sale for $150.00 I will bet it's real. The minute any dealer has had it, I would immediately doubt it's authenticity. The high price taints the originality.

The FENDER Issue

As many of my customers know I have never been the biggest corporate guitar supporter on this planet. However in the case of Jackson Guitars, Ed Roman is very impressed by what Fender is doing. They are pumping money & R&D dollars into the company they are bringing in new & modern tooling. They are keeping the price structure quite low for a guitar of that caliber.

When I first heard that Fender had bought the company, I was afraid they would do the typical Gibson thing and destroy it quickly. I am surprised & happy to say that Fender is really trying to beef up the quality & clean up all the problems that existed before when Akai owned Jackson. I am watching their movements closely and it looks like they have nothing but good intentions for Jackson/Charvel.

If they change their tactics, I will be the first to bring it to your attention. At this time it does not look like they are going about anything the wrong way. These actions have caused me to look at Guild & Gretsch which are other Fender owned guitars. I have now decided to carry both lines.

It would be very cool if Fender reissued the old San Dimas model Charvel, They could actually do it with the real headstock that it came with and many peoples dreams would come true.

Who knows, (They did do It and I have some still left that are available, I bought the first 12)

Ed Roman

02/12/03

NOTES: All Randy Rhoads neck-thru's were given 'RR****' serial numbers from 1983 to the spring of 1990. After that point, only custom Rhoads guitars were given 'RR****' serial numbers; any production Rhoads guitars were considered 'USA' models and given 'U0****' serial numbers. Any neck-thru body guitar that was not a Randy Rhoads model was given a 'Jnnnn' number. This included Soloists, King V's, Kelly's, Concert Basses etc. After the spring of 1990, only custom neck-thru's were given 'J' numbers; any production Soloists, Kelly's, King V's etc. were also considered 'USA' models and given 'U0****' numbers. There are exceptions to this rule. Sometimes you will find production neck-thru's from the 90's with 'J' or 'RR' numbers instead of 'U' numbers; this usually means it was a prototype of some kind made in the custom shop. There are a scattering of Rhoads guitars out there with 'J' serial numbers instead of the traditional 'RR' number (oops!).

NOTE 1:There were approximately 750 Bolt-on Charvel's made from 1979-1981 without serial numbers. The first serial number used was a Strat-style guitar with the Heineken beer bottle label painted on it, November 9th, 1981. These neck plates say 'Charvel PO Box 245, San Dimas, Ca, 91773'. The last Early Charvel was #5491, built in January of 1986. Neck plates with numbers 5492 and up were supposedly destroyed but some of them do turn up from time to time..BUYER BEWARE!! These are not real Jacksons!

NOTE 2: From 1987 to 1989 Jackson Custom Shop bolt on neck guitars were not assembled in strict serial number order. Serial numbers 5234 to 5999 do not exist (due to an error in the stamping machine). These neck plates say 'Jackson, 4452 Airport Drive. Ontario, CA 91761'. They are still in use today.

NOTE 3:Since the Jackson Junior (JJ) is the only Jackson bolt on without a neck plate, these serial numbers can be found stamped into the fretboard.

Other Note:Charvel bolt ons were discontinued and replaced with Jackson bolt ons in 1986. This coincided with the introduction of the Japanese Charvel's. In the spring of 1990, the four digit Jackson neck plate was reserved for custom instruments only. All production bolt on instruments were given the six-digit USA series neck plate.

FENDER ® CREATES MANUFACTURING SUBSIDIARY
JACKSON/CHARVEL MANUFACTURING, INC.
New Family Of Products Brings Diversity To FMIC Distribution

SCOTTSDALE, AZ, 10/29/2002- Fender Musical Instruments Corporation (FMIC) is proud to announce the creation of a new manufacturing subsidiary, to be called Jackson/Charvel Manufacturing, Inc. Consequently, Jackson/Charvel Manufacturing, Inc. has signed a deal to purchase specific assets of the Jackson/Charvel Guitar Company, which was a division of Akai Musical Instruments Corporation (AMIC). The acquisition, effective as of October 25, 2002, will include all existing inventory of products and trademarks relating to Jackson and Charvel.

The industry’s leader in manufacturing and distribution of electric guitars and amplifiers with the Fender ® and Squier ® brand names, FMIC has continually sought to develop diverse and innovative products. With the addition of Jackson/Charvel Manufacturing, Inc. into the Fender fold, the company has the opportunity to produce and distribute new products, and to welcome a core consumer base geared more towards heavy metal and hard rock styles.

Says Bill Schultz, Chairman and CEO of FMIC, “Throughout our history, we’ve embraced musicians of all styles by offering products to suit their needs. Jackson and Charvel products appeal to musicians that are not traditional ‘Fender’ players, but who want a quality instrument made by people who know what their needs are. We are musicians, we know guitars, and we know how to get them to the guitarists of the world.”

“Both the Jackson and Charvel product lines consist of quality instruments with strong brand recognition and a rightful place in musical instrument history,” adds Schultz. “Many innovative product features and cutting edge artists are associated with these fine instruments, and with the creation of Jackson/Charvel Manufacturing, Inc., we are committed to exceeding their expectations in the areas of quality, service and market support.”

Jackson/Charvel Manufacturing, Inc. will immediately begin to produce Jackson and Charvel products utilizing its existing production facility in Ontario, California for all American-made Jackson and Charvel guitars, as well as its custom orders. Additionally, Jackson/Charvel Manufacturing, Inc. will continue to produce guitars with its overseas manufacturing partners.

FMIC will then sell and distribute the products through a new inside telesales and field sales department under the direction of Jeff Cary, Vice President of Specialty Sales, and will utilize its existing network of global distributors and direct sales offices. AMIC product manager, Donnie Wade, will join Fender and will head up the marketing efforts.

“This is great news for fans of Jackson and Charvel,” says Marketing Manager, Donnie Wade. “The guitars will remain with one of the most prestigious American manufacturers ever, one that is a progressive company and that will maintain the integrity that Jackson and Charvel has built throughout its years.”

Jackson and Charvel’s existing retailers, which number around 400 in the United States, will still be able to carry the products and will be contacted directly by FMIC to ensure a trouble-free change over.

“We have worked very hard over the past seventeen years to build a worldwide distribution network that offers quality instruments and excellent service to retailers and consumers,” says Schultz. “We are all very excited to have Jackson and Charvel within our family, and we look forward to working with the retailers that have supported these instruments throughout their history.”

The Jackson Soloist is an electric guitar model by Jackson Guitars officially produced since 1984 (prototypes were available in the early 1980s). Overall design started as a superstrat with differences from the Stratocaster such as a neck-thru design and often a Floyd Rose double-locking tremolo bridge and premium woods.

As the 1980s brought up a shredding guitarist phenomenon, the Soloist was acclaimed in rock and metal music, especially by lead guitarists.^{[citation needed]}

• 1History
  • 1.1San Dimas era (early-mid 1980s)
• 3Later Models

History[edit]

San Dimas era (early-mid 1980s)[edit]

There are examples of the Soloist idea going back to the days before Jackson was an official company and just a side project of Grover Jackson while he was running Charvel. Early examples have set necks, Stratocaster-shaped bodies, Explorer style headstocks, and often Charvel appointments like vintage tremolos. In the earliest days of the official Jackson company, the general Soloist style was not quite official. These models often have variations in items that later became standard like size and shape and controls placements.

The first official Soloist was serial #J0158 completed August 28, 1984 (though later serial numbered guitars were completed a week and a half earlier). Before that the Soloist styled guitars were named 'Custom Strat' or 'Neck-Through Body Strat' guitars. The earlier models were typically true custom guitars that follow no real standard. By the time J0158 came around the factory had a basic spec outline used as a default on all guitars ordered and only changed when specified by the customer.

Original platforms[edit]

• The Soloist Custom: standard neck-thru the body, 24 frets, ebonyfretboard, 'Sharkfin' or dot genuine pearl inlays, binding on the fretboard and headstock.
• The Soloist Student: standard neck-thru the body, 24 frets, rosewoodfretboard, genuine pearl dot inlays.

The intended meanings of the model designations was to be similar to GibsonLes Paul Standard (Student in this case) and Les Paul Custom. The designations do not make one a lower quality instrument and the two are made in exactly the same fashion.

Original options[edit]

Originally the customer had the choice of 3 different bridges:

• Floyd Rose tremolo;
• Kahler cam tremolo;
• String through the body (Rhoads style)

Pickup options were vast. A customer could get any configuration and any brand. The standard pickup brand was Seymour Duncan until very early 1985 when the company began using in-house wound pickups standard.

Finishes were practically unlimited. While the standard colors were Platinum Pink, Ferrari Red, Ivory and Black, any custom color or airbrushed graphic was available for an upcharge.

Some items changed to help cut costs and speed up production. An example of such a change was in the mid-1980s, when the hand-shaped nibs in the binding beside the frets were discontinued to save time hand-shaving the binding between each fret. In-house manufactured pickups also became standard. Necks were also changed from a laminated style early in the year to a single piece of wood to prevent wood wastage.

Ontario era (late 1980s)[edit]

1986 was the year the company moved from Glendora aka San Dimas and over to Ontario. 1987 they began using a Floyd Rose-styled tremolo made in Asia with their name on the top plate. It was still possible to purchase a Floyd Rose or Kahler tremolo bridge, but the JT-6 Jackson unit was the default. A quick way to differentiate the different bridges was to look at the nut at the furthest end of the fretboard. If the nut was the primary nut with screws that go through the neck to the back, it was a Floyd Rose tremolo equipped from the factory. If the clamp was behind the nut and mounted to the surface, it was equipped with a JT6.

Also, the archtop Soloists were introduced. The initial runs were made with Brazilian rosewood fretboards, flamed maple tops and mahogany necks and backs.

Graphic finishes were very popular in this era. The list of common styles is long and unique styles even longer. In-house manufactured pickups became standard in the beginning of 1985, and mid-boost controls were introduced in many guitars.

Pickups were handwound by ex-Fender employee Abigail Ybarra, as discovered by Fender Custom Shop founder John Page who visited Jackson in the early 1990s to purchase their then-unused pickup winding machines and found her working there. She was hired by Jackson in 1985 when the Fender factory closed down and when Fender was sold by CBS to FMIC. The expensive Masterwound pickups were wound by her and possibly the same machine since the mid-late 1980s.

Up to this point these guitars were each made to order and each was given a serial number that matched a detailed work order.

Production era (1990s)[edit]

The next big change occurred in 1990. At this time the company decided to offer Soloists in production runs rather than make them to order. These are marked by the UO serial number code. The J+4 digit number continued on only through the Custom Shop.

Jackson Serial Number Lookup Cwj1533147

Many different models were unveiled through the 1990s. It also saw the introduction of the imported Jackson Soloists at this time. The JT6 tremolos were dropped in favor of the Schaller Floyd Rose style, which are recessed into the face of the body. Later in the decade, genuine Floyd Rose models returned.

Basic ID[edit]

Domestic headstock logos will have 'Made in USA' below or beside the logo. Guitars with the 'Professional' and 'Performer' logos are always imported. A USA J series serial number will always have 4 or 5 digits later, but any more means that it is an imported guitar. Archtop Soloist models have a JA + 4 digit number serial number.

For the 1980s custom era, the two standard classifications are the Student and Custom model. Student models feature rosewood fretboards and dot inlays. Custom models feature ebony boards, sharkfin inlays, and binding on the headstock and neck. There are many examples which blur the line. Often one can find examples with alternate fretboard material, or Students can have binding. Remember, any option was available for the asking.

Soloist models always are neck-thru the body construction.

Later Models[edit]

Jackson Serial Numbers Nhj

There are many variations on the Soloist's basic design in production, but they can be split into four basic groups: SL1, SL2, SL3, SLSMG, and SL4X.

The SL1[edit]

The SL1 is the flagship Soloist model. It has an alder body intersected by a quartersawn maple neck-thru neck. The bound fingerboard is made from ebony and has 24 jumbo frets and triangular 'shark tooth' inlays made from mother of pearl (all SL1 and SL2H models use real mother of pearl for their inlays). The SL1 uses a Floyd Rose original double-locking tremolo. It also has an HSS pickup array of Seymour Duncans, with the neck and middle pickups being single-slot overlapping Classic Stack humbuckers, while the bridge pickup is a TB-4 (JB) 'Trembucker' humbucking pickup. The SL1T is the same guitar, except for the addition of a fixed bridge. All SL1s are made in the US.

The SL2H[edit]

The SL2H (the 'SL2' is a different model which was produced in the years 1996-1997) shares the same characteristics with the SL1 except the pickup configuration. The guitar is made up of the same wood, 24 frets, neck-thru construction, same bridge, etc. Contrary to the SL1 the SL2H only has 2 Seymour Duncan pickups at neck and bridge positions. In addition, the SL2H uses a 3 way toggle selector switch rather than the 5-way selector blade found on the SL1 and SL3. The SL2H features an 'Original' Floyd Rose locking vibrato, while the SL2HT uses a fixed bridge. The SL2H-MAH is made of mahogany (neck and body 'wings'), with a transparent paint finish on both body and headstock. All SL2Hs are made in the US.

The SL2 is again a USA made Soloist with neck-thru construction (all Soloists have neck-thru constructions). The SL2 can be considered a more modest version of the SL2H, made up of maple thru-body neck and poplar wings, with an ebony board and 'optional' sharktooth inlays. Most of them had a plain fingerboard without inlaid markers on it. The bridge is Jackson's Floyd Rose-licensed double locking tremolo JT-580 which is widely used on Japanese-made Jacksons. The Jackson logo is not 'mother of pearl' on SL2s while it is on SL2Hs.

The SL3[edit]

The SL3 belongs to Jackson's Pro Series guitars. The body is made of alder and includes a flamed maple veneer on transparent finish models. The SL3 features the traditional Soloist setup of two single-coil slots for the neck and middle positions and a hot humbucker in the bridge position. Seymour Duncan Hot Rails are fitted in the single-coil slots and a Seymour Duncan JB humbucker occupies the bridge position. Additional features include an FRT-02000 or JT-580 double-locking tremolo, 24 frets, a compound radius Rosewood fretboard, sharktooth inlays and matching headstocks on transparent finish models. Jackson SL3s are manufactured in Japan. There is also a newer MG-version of it, SL3MG, which has the same features but with EMG 81/85 set.Also there was a very high quality Japanese manufactured model that came to the market from the year 2000 till 2002 - the SL4 and it was from the high models of the Jackson guitars as they were made from alder or mahogany for the body-maple or mahogany for the necks but with two differences from the SL1 or the SL3 of Japan that were built late 1990s and early 2000s—the SL4 comes with 22 comfortable frets-humbucker pickups and Takeuchi JT 580 lp bridge units, as the model was coming in solid-trans-quilted maple finishes.Alongside the American lines of Jackson guitars there was other economic line—in prices—from 1987 till nowadays that called Pro lines for all Jackson models, and the top of these models in Soloist model were the 1990s models till 1996.

The SLSMG[edit]

The SLSMG (Super Lightweight Soloist MG) is the entry level Soloist model and belongs to Jackon's MG series guitars. It features the neck-thru design that is obligatory for any Soloist. Along with the discontinued U.S. made SLS, the SLSMG is one of the few Soloist models not to feature the traditional pointed Jackson headstock with six inline tuners. Instead the headstock is fitted with a three tuners per side setup. Models released prior to July 2006 featured passive EMG HZ-H3 pickups while models released after this date are equipped with active EMG 81s and 85s in the bridge in the neck positions. The SLSMG's carved body is made from mahogany. The string-thru design makes the SLSMG one of the few Soloists without a Floyd Rose tremolo. All SLSMGs are made in Japan.

The Chicago MG[edit]

Jackson Serial Number Dating

Jackson briefly partnered with Washburn International with headquarters in Vernon Hills, Illinois and for a short time manufactured a version of the MG model on Elston Avenue in downtown Chicago. Additional models of the MG were imported for Washburn to Jackson's specifications. At that time, Jackson began to experiment with CNC equipment to customize the geometry of individual necks to the requirements of various artists. Other MG components were precision CNC machined by a local stair manufacturer resulting in high precision, repeatable MG assemblies.

SL4X[edit]

The SL4X is based on a now discontinued Charvel '80's guitar. The SL4X has the Soloist body shape, maple neck with rosewood fingerboard, 24 frets, and dot inlays. The SL4X is distinct from other Soloists by having three single coil Seymour Designed Hot Rails pickups and is the only Soloist to have a pickguard. The SL4X comes in the colors of Daphne Blue, Bubblegum Pink, and Neon Orange in the spirit of the '80s.

Jackson Serial Number 97

External links[edit]